Published July/August 2017 issue of ArtAsiaPacific. To read full article, visit the magazine's Digital Library. (Click on the image to scroll through pages.)
"An appointment with Firenze Lai at her studio in the New Territories of Hong Kong began with “petite musique de chambre.” Translated as a “little chamber music,” the term was used by postminimalist composer Wim Mertens to define his 1983 EP Struggle for Pleasure, the lugubrious piano lines of which ran softly from Lai’s MacBook the day we met."