Published May/June 2018 issue of ArtAsiaPacific. To read full article, visit the magazine's Digital Library.
“Despite the visual splendor, the artist’s usual radical takeaways, whether on US imperialism or autoerotic asphyxiation, were absent; the effects were watered down. (Curators Katherine Brinson, with Susan Thompson and Ylinka Barotto, perhaps anticipating that viewers might be bored by the nonabrasive showcase, withheld full descriptions of several series until the top floor, leaving teasers of information as visitors circled upward.)”