Published Nov/Dec 2018 issue of ArtAsiaPacific. To read the full article, visit the magazine's Digital Library.
“In these abstract paintings, which he drapes from walls, the Tehran-born artist simultaneously mocks, and attempts to revise, our crude, capitalist obsessions with object valuation, suggesting that these canvases of fuzzy-edged, peach, blush and cerulean markings on similarly pastel-hued backgrounds—which are ultimately meaningless gestures—can be stand-ins for cold, hard cash.”