Published Sep/Oct issue of ArtAsiaPacific. To read the full article, click here.
“Ghost-faced, temples crusted with blood, Michelle Pfeiffer rips around her chintzy little flat, hungering for a new identity: she rams her soft toys into the whirring incinerator; defaces her cloyingly pink walls with black spray paint; smashes her collection of porcelain dolls and birds; and then, finally, comes across a slick, black vinyl raincoat in her closet . . .”