Published in the Winter issue of ArtReview Asia.
”In these canvases, we also see hints at more subconscious terrain. Shum’s figures are translucent and embryonic, their presence ambiguous among trees, mountains and lakes. As in a dream, we wonder how we arrived at certain scenes: in Revolution of Night we witness one figure holding another around the neck, unclear whether they are escaping danger or whether a crime is being perpetrated.”