Published in the October/November issue of Artforum.
”If Orpheus’s attempt to resurrect Eurydice is undone by his desire to see her form, her shape, then what can be said about Hong Kong’s desire to archive its rapidly vanishing cultural history? Situated at the center of the exhibition was a 2021 fiberglass replica of Jimmy Keung Chi Ming’s 1997 statue of Lo Ting, a species of merperson said to be the true indigenous ancestor of the Hong Kong people.”